Nicole Herz

Artist's Statement: New York Paintings

Architectural elements, especially rooftops, play a personified role in the New York works of painter Nicole Herz. Nicole Herz: Courtyard Light, 1998 Herz explains, “My paintings depict the smaller skyline of New York City. They are inspired by the rooftops of the 19th century industrial-era factory buildings and smaller-scale residences of lower Manhattan and Brooklyn. On the roofs of these older buildings, I find complex relationships among the shapes, hues and textures of water towers, skylights, chimneys, vents and antennas.”

Through simplification, abstraction and the editing of color, composition and form, she isolates the objects and highlights their relationships to each other and to the sky. Herz says, “By reinterpreting the scene, I create a personal mood of place and time that expresses my most intimate reaction to the subjects.” Her work is primarily small in scale—further interpreting her personal connection to the cityscapes she creates.

Maine Paintings

Herz's interest in the simplification and abstraction of form continued to manifest itself in her paintings of rural Maine. In her early Maine paintings, she explores the worlds she finds both inside and reflected in the windows of abandoned houses and barns. Once inhabited and full of life, these old houses and barns now exist on their own terms, still and sculpture-like. The abstraction of the structures celebrates the fundamental beauty of their form while evoking the lingering presence of past inhabitants.

Her most recent work explores how the colors, textures and forms of both man-made structures, and natural structures-trees, relate to the same elements in the landscape that surrounds them. By reinterpreting the scene, I create a personal mood of place and time that expresses my most intimate reaction to the subjects.

On July 29, 2008, Herz lost 15 paintings in a fire at the Wingspread Gallery in Northeast Harbor, Maine. This was a devastating loss, not only because of the quantity, but because the paintings consisted of most of her current, available work. Many of these paintings were inspired by houses that have been since torn down. These paintings memorialized these old structures that are vanishing from our landscape. Now the paintings are gone, too. All 15 paintings can be viewed on the website.

Nicole's recent work may be seen at the Asticou Connection Gallery in Bar Harbor (Town Hill), Maine.

For more information, please email

Background

Education

  • Carnegie Mellon University, Pittsburgh, PA. Bachelor of Fine Arts, May 1989. Major: Painting; Minor: Sculpture.
  • Temple University Abroad, Spring Semester, 1988. Rome, Italy.
  • High School of Music and Art, Diploma, June 1985. New York, NY.

Exhibitions

  • Asticou Connection Gallery, Bar Harbor, ME, 2011
  • Blum Gallery, College of the Atlantic, Bar Harbor, ME, 2009
  • Freeport Square Gallery, "Where There's Art There's Hope", Freeport, ME, 2009
  • MDI Historical Society, "BIG and small", Mount Desert, ME, 2009
  • Wingspread Gallery, Northeast Harbor, ME, 2008
  • Stadler Gallery, Kingfield, ME, 2007
  • Wingspread Gallery, Northeast Harbor, ME, 2007
  • The Window Tree Gallery, Brunswick, ME, 2006
  • Wingspread Gallery, Northeast Harbor, ME, 2006
  • Maine Art Gallery, Wiscasset, ME, 2005
  • Wingspread Gallery, Northeast Harbor, ME, 2005
  • Reel Pizza Cinerama, Bar Harbor, ME, 2005
  • Wingspread Gallery, Northeast Harbor, ME, 2004
  • George Billis Gallery, Industrial Beauty, New York, NY, 2004
  • Shaw Gallery, Northeast Harbor, ME, 2004
  • Manhattan Athletics Club, New York, NY., 2004
  • The Hay Gallery, The Urban Show, Portland, ME, 2003
  • Wingspread Gallery, Northeast Harbor, ME, 2003
  • Shaw Gallery, Northeast Harbor, ME, 2003
  • Blum Gallery, College of the Atlantic, Shelter, Bar Harbor, ME, 2003
  • Thorndike Library, College of the Atlantic, Solo show, Bar Harbor, ME, 2003
  • Wingspread Gallery, Northeast Harbor, ME, 2002
  • Manhattan Athletics Club, New York, NY, 2001
  • The New York Historical Society, Up on The Roof, New York, NY, 2001
  • Flounders Society, Bar Harbor, ME, 2001
  • Allbright Knox Gallery, Buffalo, NY., 2000
  • George Billis Gallery, Solo show, New York, NY, 2000
  • Westchester Medical Center, A Winters Tale, 19 Regional Artists, Valhalla, NY, 2000
  • George Billis Gallery, New York, NY, 1999
  • Tribeca Artists, OIM, New York, NY, 1998
  • Franklin Fest, New York, NY, 1998
  • New York Law School, City Light, Six New York Painters, New York, NY, 1998
  • The Puffin Room, The Loft Pioneer Show, New York, NY, 1996
  • Organization of Independent Artists, Darker Visions, New York, NY, 1996
  • 420 West Broadway, S.O.S. Art Exhibition, New York, NY, 1995
  • Michael Ingbar Gallery, Architectural Details of NYC, New York, NY, 1994
  • Michael Ingbar Gallery, Concrete Erections, NYC Architecture, New York, NY, 1993
  • Organization of Independent Artists, Structures and Surfaces, New York, NY, 1992
  • Ward-Nasse Gallery, City Views, New York, NY., 1991
  • Forbes Gallery, Invitational Exhibit, curated by Annegreth Nill, Pittsburgh. PA, 1989